Previous Event: V & A Archives
- At July 03, 2014
- By TRS
- In Events
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DO JOIN US:
For a unique event on Monday 8th September, 2014, when Society members will have exclusive access to the Rattigan Collection at the Department of Modern & Contemporary Performance of the V & A Archives Centre.
The V & A theatrical archives are housed in Blythe House, West Kensington, in a remarkably grand and imposing building, which also holds the archives and some of the collections of the Science Museum and the British Museum. This remarkable edifice was built between 1899 and 1903 as the Headquarters of the Post Office Savings Bank. Originally thousands of staff members worked in the building and some 1,000 of them were female; to avoid the risk of improper mixing of the sexes, females were segregated in the south block of the building with its own entrance. Today, the security guards take three hours to patrol the building. Blythe House has great attractions for film producers. Stephen Poliakoff filmed the hotel interiors there for his recent BBC2 series ‘Dancing on the Edge’ and the most recent film of ‘ Tinker, Tailor, Soldier, Spy’, with Gary Oldman used it for many scenes.
Kate Dorney is the Curator of the Department, which now houses the contents of the former Theatre Museum in Covent Garden and she and Barbara Longford have arranged a special day for our members. From 10.30 a.m. Kate will give a talk and tour of the Theatre and Performance Collection and we shall be able to view Terence Rattigan material from the Collection, which will be layed out in display form. Michael Darlow will host the event from our side and will try to answer members’ (and staff) questions arising from the items we see.
The collection of letters is rather moving. Some of the correspondence deals with the traumatic time ‘Terry’ had when he was asked, when at Harrow, to stand down from the cricket team who were to play against Eton, at Lords. The letters reveal the enormity of the blow for the young man. In one, written to his father, Terry says “I’m far more sorry for your sake than mine…….I’m so sorry that I’ve let you down”. And there’s a letter from the school to Frank Rattigan, saying “I didn’t believe that any boy in that position could possibly have conducted himself in such a gentlemanly way as Terry did. My task was made infinitely easier and I shall never forget his behaviour.”
There’s a letter Terry wrote to his parents with its original envelope to Frank Rattigan Esq, 19 Stanhope Gardens, postmarked Harrow 11th January, 1929. One can imagine the boy posting it in the Harrow postbox. It reveals how mature and stylish and witty the young man was. A letter written from Terry’s prep school, Sandroyd is written to “Dear Gran” and Signed “With love and kisses from Terry xxxxxxxxxx. There are two remarkable letters written to Terry’s brother Brian on his 21st and then 22nd birthdays and much more.
There are also production files, play scripts, photographs, posters, designs and tinsel prints and objects. For example, the production file for ‘After the Dance’ (1939) contains an enormous and fascinating collection of newspaper cuttings of reviews from ‘Romeike & Curtis Ltd’, in Shoe Lane, London E.C.4.
There’s a theatre programme for ‘First Half’ which took place at the Theatre Royal, Haymarket on 10th January, 1972, “to honour Sir Terence Rattigan and to aid the Combined Theatrical Charities”. ‘First Half’ included a performance of Harlequinade with Alec McCowen and Joan Greenwood and Table Number Seven, with Trevor Howard and Celia Johnson.
This part of our day will end at 12.30 p.m. and as no food or drink is allowed on the premises we shall go to a nearby pub for lunch. Barbara Longford hopes to arrange a pleasant and inexpensive private room for the group.
After lunch, at 2 o clock, we return to Blythe House for a private screening from the National Video Archive of Performance of the centenary year production of ‘Cause Celebre’ at the Old Vic, directed by Thea Sharrock, with Anne-Marie Duff as Alma Rattenbury. The day will end at 4.45 p.m.
The exact venue for our day is The Clothworkers’ Centre for the Study and Conservation of Textiles and Fashion. It is a brand new study and research area located inside Blythe House and is a wonderfully light space able to accommodate larger groups.
Blythe House is situated at 23 Blythe Road,London W14 0QX
Nearby underground stations within 10-15 minutes walk are:
Barons Court (District and Piccadilly lines)
Hammersmith (District, Hammersmith and City and Piccadilly lines)
Shepherd’s Bush (Central and Hammersmith and City lines)
West Kensington (District line)
Buses 9, 10, 27, 28 and 391 go to Olympia.
To Book: Click here for a booking form.
After The Dance – Upstairs at the Gatehouse
- At March 25, 2014
- By TRS
- In Professional Productions
- 0
Review – Variation of a Theme
- At March 05, 2014
- By TRS
- In Professional Productions, Reviews
- 0
Here’s a snipper of the review by Donald Hutera in The Times for “Variation of a Theme” at the Finborough Theatre.
“Here’s a rarity, and an oddity, in one elegantly febrile little package. Michael Oakley’s staging of Terence Rattigan’s 1958 play is being touted as the first full production since its West End premiere. Back then it was directed by John Gielgud, starred Margaret Leighton and Jeremy Brett, and closed after just 132 performances. Why?… ” Full review online here.
An Evening on Terence Rattigan, with Princess Galitzine
- At January 28, 2014
- By TRS
- In Events
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An Evening on Terence Rattigan, with Princess Galitzine at the English-Speaking Union, Dartmouth House, 37 Charles Street, London W1J 5ED
Wednesday 21st May, 2014 ,
19.00 – 20.00 in the Long Drawing Room
From 20.00 refreshments in the Churchill Room
Details of how to book for this event will appear in the February edition of ‘The Rattigan Version’.
The great 1950’s Dior fashion model, Jean Dawnay (Princess George Galitzine) was a close friend of the playwright, Sir Terence Rattigan and she was the hostess at many of the glittering parties he held. In particular the party for the opening of the film ‘The Prince and the Showgirl’. Jean greeted all the guests, including Marilyn Monroe, who starred in the picture, her husband Arthur Miller, Sir Laurence Olivier and his wife Vivien Leigh as well as Dame Sybil Thorndike, Margot Fonteyn, John Gielgud, Lady Diana Cooper and Peggy Ashcroft.
During the first part of the evening the Princess will be talking about being the friend, muse and hostess of Terence Rattigan with his biographer Geoffrey Wansell. And then Geoffrey and the playwright Giles Cole will give a unique insight into the private face of one of the Twentieth Century’s greatest playwrights.
Actors Judy Buxton and Stephen Martin-Bradley will perform extracts from the plays – ‘In Praise of Love’: ‘The Browning Version’: ‘The Deep Blue Sea’: and ‘Separate Tables’.
Writer and journalist Geoffrey Wansell’s book ‘Terence Rattigan’ was first published in 1995 and he is also the author of the recently published ‘Poirot and Me’, written with David Suchet.
Giles Cole is the author of ‘ The Art of Concealment’, a play which tells the story of Terence Rattigan’s life and which was first performed in Rattigan’s centenary year, 2011.
Variation on a Theme
- At November 12, 2013
- By TRS
- In Events, Professional Productions
- 0
The world’s first professional production in more than 50 years of
VARIATION ON A THEME
by Terence Rattigan
Starring Rachael Stirling as Rose
at The Finborough Theatre from 22nd February – 22nd March, 2014.
‘Variation on a Theme’ opened at the Globe Theatre in London on 8th May 1958, when Rattigan’s star was on the wane. It starred Margaret Leighton and Jeremy Brett, but ran for only 132 performances. It was given a reading at the Minerva Theatre, Chichester, staged by Michael Oakley, in the centenary year and now two young producers, Sarah Hammond and Sam Zdzieblo are proud and excited to mount the first professional production for over 50 years.
Inspired by La Dame aux Camelias, and set amidst the glamorous and exotic society of the 1950’s French Riviera, Variation on a Theme revolves around the tempestuous love affair between Rose, a beautiful and wordly socialite and Ron, a young bisexual ballet dancer with a keen eye on advancement. A forgotten classic by “one of the supreme dramatists of the 20th century” (Michael Billington, The Guardian).